SHAKE IT LIKE A MILKSHAKE, AND DO THE BEST YOU CAN: (...Yeah, don't even, it could've been much worse.)
So I listened to this very fantastic
Royal Shakespeare Company CD set. These are some exceptionally scattered notes:
1. If you think you need this thing, you probably do.
2. On the other hand, you'll get
much, much more out of the segments you already have memorized; the segments are way too short, and of course out of context; and, in general, this is no way to figure out what you think of the biting Swan of Avon, let alone of his plays or his players. This is for obsessives. I loved it!
3. People who went
way up in my estimation: Peggy Ashcroft, Donald Sinden. People who stayed in my estimo-stratosphere: Alan Rickman. (Yes, I know it! I can't help it!) People who went slightly up: Laurence Olivier (of whom more presently), Ian McKellen.
(I'm always surprised to find that McKellen is actually very good. It's sort of like when I watched
Endgame and found that Dumbledore and Lupin were
phenomenal actors.)
4. I'm still not convinced that
Lear can be acted. But the gems from the lesser plays are generally very well-chosen;
The Comedy of Errors and
The Merry Wives of Windsor stand out in this respect.
5. I'm totally in favor of Ariel as a man. I'm totally anti Ariel as a
boy. Ariel needs to be elusive and somehow older than anything Prospero can understand--making Prospero's merely human exhaustion seem small. So the Derek Jacobi vs. Mark Rylance segment was more or less the opposite of what I would have done with that bit of
The Tempest--"Graves, at my command" needs to be softer and more horror-movie and frightening, while "...and drown my book" needs to be quicker and harder and a hundred percent less hissy. They happened to record a scene I feel very, very strongly about, and get it wrong, and... I can't let it go. Sorry.